The Metropolitan Museum of Art held a press briefing at the Palace Museum in Beijing, China, about its spring 2015 Costume Institute exhibition, China: Through the Looking Glass. The exhibition, on view at the Met from May 7 to August 16, will explore how Chinese art and film have influenced Western fashion design for centuries.
Thomas P. Campbell, Director and CEO of the Metropolitan Museum; Shan Jixiang, Director of the Palace Museum; Max Baucus, U.S. Ambassador to the People’s Republic of China; Andrew Bolton, Curator in The Costume Institute; Maxwell K. Hearn, Douglas Dillon Chairman, Department of Asian Art; Anna Wintour, Artistic Director of Condé Nast and Editor-in-Chief of American Vogue; and renowned filmmaker Wong Kar Wai, Artistic Director of the exhibition, all attended the press briefing.
Chinese Art and Historic Costumes with High Fashion
Director Shan welcomed guests to the Palace of Established Happiness (Jianfu Palace) in the Forbidden City, Ambassador Baucus delivered remarks, and Mr. Campbell highlighted the importance of cultural and artistic exchange between China and the Met. Andrew Bolton discussed how the exhibition will juxtapose Chinese art and historic costumes with high fashion to demonstrate the West’s fascination with Chinese imagery. Wong Kar Wai discussed the role of film in the exhibition and showed a montage of the film clips that will be used in the exhibition to illuminate the impact of the cinematic arts on Western fashion.
During the press briefing, a display in the Jianfu Palace featured images and objects to be included in the Met exhibition: an Yves Saint Laurent gown (by Tom Ford, 2004) inspired by the dragon robe worn by Puyi (1906-1967), the last Chinese emperor, for his inauguration in 1908; and a blue-and-white Chanel beaded gown (by Karl Lagerfeld, 1984) and a Roberto Cavalli gown (2005) whose patterns reflect those on Chinese export porcelains. This interchange between art and fashion complements the Palace Museum’s mission to highlight the essence of Chinese art and culture formed over thousands of years, as well as The Costume Institute’s commitment to exploring the connection between art and fashion. The Costume Institute became part of the Met in 1946, and subsequently built a world-class collection including more than 35,000 garments from five continents, with some dating back to the 15th century.